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Working with Alexei Ratmansky

Alexei Ratmansky has been commissioned to create an original ballet for the Company, which will have its world premiere in March 2012 – with live music by The Cleveland Orchestra (TCO). This one-time MCB/TCO performance and gala will take place at Adrienne Arsht Center for the Performing Arts in Miami. The new Ratmansky ballet – Symphonic Dances — then will become part of Miami City Ballet’s repertoire during the 2012-2013 Season.

Post by Jeanette Delgado, Principal Dancer

Last summer I saw New York City Ballet dance a new work by Alexei Ratmansky and I was blown away! It was everything new and fresh about dancing but still true to ballet and musicality. I still have visions of this ballet and I am so moved by them. Never did I dream that we would get the chance to work with such an incredible artist!

The two weeks we recently spent working with Mr. Ratmansky felt like a glimpse into what the dancers who worked for George Balanchine must have felt! To be a part of someone’s creative process has been amazing! He pushed us to move in ways we’ve never moved nor ever thought of moving before. It is super challenging but he knows exactly how to ask for what he wants and shows it in the most inspiring way! It is a lot of work to really grasp the movement but it’s work that I can’t wait to continue!

Alexei Ratmansky working with MCB dancers.


A Conversation with Principal Conductor Gary Sheldon – Part 1

As we wrap up our 25th Anniversary Season, we are so grateful for such a wonderful year and all the things that came along with it — including the grant from the John S. and James L. Knight Foundation and the Knight Arts Challenge that made having live music possible once again. With live music came principal conductor Gary Sheldon! We recently chatted with Gary about his move down to sunny Miami Beach and his time here with MCB.

Check out the first of this two part series.

Premiering Romeo and Juliet

Post by Principal Dancer Jennifer Kronenberg

What a great honor it was to dance the role of ‘Juliet’ for MCB’s premiere of the historic ballet Romeo and Juliet, and for our silver anniversary – celebrating the company’s great accomplishments over the last twenty five years. I have not felt such excitement and sheer anticipation at the idea of a performance in a very long time. It seemed like the buzz was everywhere, not only between dancers and staff, but out on the street as well. The public was amazingly enthusiastic over us dancing Romeo and Juliet; anxious even, which of course only added to my own exhilaration!

For weeks I dreamt of opening night. My expectations were very high, and I couldn’t wait to get on stage and dance. When the moment finally arrived I was ridiculously emotional. I was nervous, giddy, excited, and so sad to think that in three short hours, before I even knew what hit me, it would all come to an end.

Would performing this iconic ballet be all that I had expected? Could I really do it justice? I had built it up so much in my mind, though I tried my hardest not to. Would the audience appreciate how much I love and respect the role of ‘Juliet’? Could they understand how much hard work went into preparing for it, how special this all was to me? Did that even really matter?  I hadn’t thought so, but I suddenly found myself worrying about it. So many thoughts were going through my head and I wanted to run away from them.

My first couple of entrances went by like a whirlwind. I yearned to feel something magical, yet it was all moving so fast, and not as smoothly as I had hoped. There were traffic issues backstage, costume changes weren’t going smoothly, and I was sweating all of my makeup off… What happened to the fairytale that I had dreamed about? So far I was way too connected to harsh reality.

But before I could get too disappointed, things changed. In the ball scene, when Carlos’ eyes met mine for the first time, everything slowed down. Time stood still in just that instant, and I felt an overwhelming calm come over me. This was it! This was the feeling that I had been waiting for – the high that I feared would get drowned out by adrenaline and frenzy, and escape me in the performance. I felt overwhelmingly relieved at seeing my Romeo. In that moment, I knew that nothing else mattered. We were in the midst of achieving something great, and infinitely special. I knew it was a performance that I’d remember and treasure always, and one that never had to be, nor could be replicated. I decided in that instant to commit myself to enjoying the ride for as long as it would last.

We’ve danced a number of “R&J’s” since opening weekend, and no two have been exactly alike. I’ve been trying to appreciate how unique and distinctly different each one is from the last. I am so happy, and eternally grateful, to have been given the opportunity to dance ‘Juliet’, and I hope that I’ll be able to grow and evolve with each performance to come.

Photos © Kyle Froman

From Studio to Theater

If you’ve attended our Open Barre Dance Series, you may have wondered how we convert Studios 1 and 2 into our studio theater. Well, we have an amazing production team that completes the transformation in about two hours with a staff of nine people. Studio 3, which is right next door, is used as a crossover space by the dancers during Open Barre.

Check out this transformation video for a quick view on how we go from studio to theater!