Program III: Triple Threat is finally here! Since the moment our dancers, staff, donors and audience members learned that we would be performing West Side Story Suite, we have not be able to contain our excitement. This ballet is pushing the artistic boundaries of both our dancers and audiences and we cannot wait to see what happens when the curtain rises this Valentine’s Day! Here to capture our dancers making their final preparations before the big premiere on Instagram is Principal Soloist Callie Manning. Follow her at #CallieMCBPhotos.

Jovani Furlan
When the curtain opens on Program III: Triple Threat next week, Miami City Ballet will become one of only two dance companies and the only American company to perform the Paul Taylor solo in Balanchine’s Episodes since New York City Ballet in 1986. Peter Frame — the last dancer to have performed this role and répétiteur for the solo at MCB — referred to it as a “lost work of art.” Now, 27 years later, dancer Jovani Furlan will be one of only a handful of dancers to perform this role. Here, he tells all about this rare and exciting opportunity.
What makes our third program of the season a Triple Threat? Find out in our latest video featuring Artistic Director Lourdes Lopez and see the program performed live. Click here to learn more!

Jovani Furlan
Returning from summer vacation and a fun trip home to Brazil, corps de ballet dancer Jovani Furlan is back on Instagram as this week’s guest photographer.
Our studios are exceptionally busy this week, with the arrival of two répétiteurs from the George Balanchine Trust — Patricia Neary and Peter Frame — who will be staging the company premiere of Episodes. Patricia Neary was hand-picked by Balanchine to join the New York City Ballet, where he later created two key roles on her — in Raymonda Variations and in Jewels. She will use her personal experience dancing several roles to stage Episodes and preserve every last detail of the choreography.